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So in my March Glossy Box (still waiting on April') I was given a lovely blue nail polish. I have not tried nail polish for Nails inc before so this was a nice surprise. I have a few blue nail polish, but most of them have a sparkle to them.
This small bottle has 4 ml or 0.13 Fl oz in it, which is the deluxe sample size. Per bottle is 9.50 USD, that is no a bad price The applicator is a little tiny so my fingertips did get int the way when applying the polish. I was able to make it work.
Once I was done enjoying brunch a good four hours later. I went to work. One glass of wine is fine during the day. I will enjoy the rest of the bottle some other time. I wore a simple dress and sweater combination to work. Not pictured are the cream tights I put on at the last minute.The temperature dropped rather quickly today, and I figured it would br colder tonight.
“Gaslamp Fantasy,” or historical fantasy set in a magical version of the nineteenth century, has long been popular with readers and writers alike. A number of wonderful fantasy novels, including Stardust by Neil Gaiman, Jonathan Strange and Mr Norrell by Susanna Clarke, and The Prestige by Christopher Priest, owe their inspiration to works by nineteenth-century writers ranging from Jane Austen, the Brontës, and George Meredith to Charles Dickens, Anthony Trollope, and William Morris. And, of course, the entire steampunk genre and subculture owes more than a little to literature inspired by this period.
Queen Victoria’s Book of Spells is an anthology for everyone who loves these works of neo-Victorian fiction, and wishes to explore the wide variety of ways that modern fantasists are using nineteenth-century settings, characters, and themes. These approaches stretch from steampunk fiction to the Austen-and-Trollope inspired works that some critics call Fantasy of Manners, all of which fit under the larger umbrella of Gaslamp Fantasy. The result is eighteen stories by experts from the fantasy, horror, mainstream, and young adult fields, including both bestselling writers and exciting new talents such as Elizabeth Bear, James Blaylock, Jeffrey Ford, Ellen Kushner, Tanith Lee, Gregory Maguire, Delia Sherman, and Catherynne M. Valente, who present a bewitching vision of a nineteenth century invested (or cursed!) with magic.
The Line-up:
“The Fairy Enterprise” by Jeffrey Ford
“From the Catalogue of the Pavilion of the Uncanny and Marvelous, Scheduled for Premiere at the Great Exhibition (Before the Fire)” by Genevieve Valentine
“The Memory Book” by Maureen McHugh
“Queen Victoria’s Book of Spells” by Delia Sherman
“La Reine D’Enfer” by Kathe Koja
“Briar Rose” by Elizabeth Wein
“The Governess” by Elizabeth Bear
“Smithfield” by James P. Blaylock
“The Unwanted Women of Surrey” by Kaaron Warren
“Charged” by Leanna Renee Hieber
“Mr. Splitfoot” by Dale Bailey
“Phosphorus” by Veronica Schanoes
“We Without Us Were Shadows” by Catherynne M. Valente
“The Vital Importance of the Superficial” by Ellen Kushner and Caroline Stevermer
“The Jewel in the Toad Queen’s Crown” by Jane Yolen
“A Few Twigs He Left Behind” by Gregory Maguire
“Their Monstrous Minds” by Tanith Lee
“Estella Saves the Village” by Theodora Goss
Michaela Redfur is a were fox living a quiet life in Bayfield, Wisconsin. She has a quiet job that gets her out of doors and avoids the werewolves as if her life depended on it. Which it does.
That all changes early one morning when Lara Burns, the Madison Wolves alpha, introduces herself, much to Michaela's chagrin. Lara explains to Michaela that "we only want to talk", but when a werewolf comes knocking on a tiny, delicate foxes' front door, Michaela knows talking is the last thing in the wolfy mind.
This novel is 93,000 words and is the first in in The Madison Wolves Series.
